Our stories are often plagued with these common story problems, but if we don’t know how to fix them, we’ll never improve our writing. It’s important that you remember you don’t need to scrap your novel if you keep having the same issues over and over again. Hopefully this list will help you pinpoint what’s going on and provide ways for you to improve your novel.
Problem: Unmotivated Characters
If you’re having trouble figuring out where your story should go next, the problem could be with unmotivated characters. Characters aren’t in your novel just so you can push them around every once in a while and make them do things. They need to develop over time and keep your story going in the right direction.
Work on your character’s wants, goals, and motivations. You need to figure out what’s driving your character if you want them to do anything. Where do they want to end up? What’s standing in their way? What’s their plan? Who will help them? Think about everything your character will need to do to resolve your novel. Focus on what they want and what motivates their actions and your characters will stop being dull and lifeless.
Problem: Boring First Chapters
A boring first chapter is dangerous because you want to captivate your audience right away. You don’t want to lose readers just because of this, but sometimes it happens. You should give enough information to keep your readers interested, while also keeping them intrigued enough to figure out what happens next.
Putting emotion into your scenes from the beginning will not only help set the tone, but we’ll get an immediate understanding of your world. The best advice I can give is to construct a scene that helps us best understand your character. If they’re on the run, show us that they’re being chased. If they’re sad and lonely, construct a scene that lets us feel their isolation. You don’t necessarily need to open your book with action, but you do need to introduce the conflict. Think about what your character wants and go from there. Think of your first chapter as an introduction to an essay. You don’t go right into the points immediately, but you set us up for something good.
Problem: Plot Holes
Writers worry about forgetting to include important information in their novel that’s necessary to the plot. If you’re discovering that readers often point out plot holes in your story, maybe it’s time to reevaluate how you plan your novel.
Pre-planning or prewriting your novel often solves any plot hole problems. If you take the time to write out important scenes so you don’t forget them, your story will become stronger. However, if you’re not someone who likes to do so much planning, you can tackle plot holes during the editing phase. Take notes when you’re editing so that you can catch these plot holes and figure out where you can add necessary information. A plot hole does not always mean your novel needs loads of reworking, but it is something you need to take the time to fill in.
Problem: Poor Pacing
Poor pacing can ruin a novel, but luckily it’s something you can tackle head on before you even start writing your story. Good pacing helps add tension to your novel and helps you make sure there’s enough rising and falling action to keep your story interesting.
Planning out your novel ahead of time also helps solve pacing problems. You can create a timeline that helps you keep track and plan out when you want certain things to happen. Read up on story arcs and try to plan out your scenes accordingly. If you’re already done with your novel and you notice poor pacing, try rearranging scenes or spreading out the action.
A very common writing problem is info-dumping. This is when you tell your readers loads of information at a time without showing them anything important. Info-dumps usually occur in first chapters of novels, but they can happen anytime during the course of your story. Info- dumps can drag down your story and bore your readers.
Cut out long paragraphs where you explain what’s going on in your novel and show your readers instead. Avoid over explaining things that can be explained through action. Letting your audience figure things out instead is a much more satisfying reading experience and it lets your readers connect with your characters on a deeper level.
Phil pls come home, Dan’s going insane
I’ve found 4 different 404 error pages on Paradox Space:
at my school there’s an english teacher and an american teacher and they always glare at each other and when they pass each other in the hallway the american teacher will say ‘good show governor’ or something and the english teacher will say ‘god bless the land of the free’ and both in terrible accents and like the whole school ships it
hello 911 my sock is falling down inside my shoe
lmao. can we talk about this holy wallpaper tho.
And this is why I never get homework done
Vine by: Best Vines
Cas wanted so badly for his brother to be back
to just have a brother, one as amazing and understanding of free will as gabriel
to be back
and to tell him ‘you can do this little bro, I believe in you’
to just have that connection to someone all his, an untainted family member that loved him and cared
Fuck you Metatron, for giving him that and taking it away.
"What the Hell?!"
Ghost!Castiel finding Gravedigger!Dean at his grave
NEVER trust an adult who won’t apologize to a child
Wow. I’d never seen it put that way, but. Wow. That is a really good piece of advice.
And the Waltz Goes On - Anthony Hopkins
Sir Anthony Hopkins Hears The Waltz He Wrote 50 Years Ago For The First Time
Academy Award-winning actor Sir Anthony Hopkins was a musician before he got into acting. 50 years ago he wrote a waltz but was too afraid to ever hear it play. Dutch violinist André Rieu performs it for the very first time. Watch Hopkins’ reaction.
That was beautiful
I cried a few tears and felt better about humanity’s endeavors.
Can you imagine if he had released this and never acted?
this is my love letter to azlyrics for not being annoying as fuck like other lyric websites
so my mum told me that as a kid she would peel an apple and throw the peel over her shoulder, and the peel would take the shape of the first letter of her future spouse. naturally, i decided to do it and
i’m fucking crying
it says ‘no.’
it literally says NO.
oh my god